The bouncing jeep headed down a faint dirt roadway towards the rocky outline of the Badlands.
A half mile later, a more unexpected and disconcerting thing happened. A horizontal split wrenched across the landscape–dividing the world into two distinct views. Above was the world he knew: pinnacles, hoodoos and mesas. Beneath, lay a city, both ancient-looking and impossibly new.
It wasn’t as if the split had just happened, perhaps it had always been this way. Tom had never actually been way out here. No one really did. As they drove down a slope and into the gap, he watched the familiar features of the Badlands evaporate overhead. From here, it was evident that this part of the landscape was only a projection over the city that lay below. He turned to the woman, astounded.
“Holographic camouflage,” she said, pointing up. “It’s a mirage, essentially.”
—
This has been an edition of What Pegman Saw. To read more stories inspired by the prompt, click here.
Two things:
- Sorry for being so late to the party. A family trip and a fallen tree had me playing catch-up these past few days.
- I owe you an explanation on the story–it’s actually an excerpt from the first novel I ever wrote. I started it in August of 2011 following a family trip to the Black Hills. It’s my write-er-versary. The book was called Panacea, the story of a young man who finds himself in a secret compound in the Badlands, where science and magic collide.










Mendieta said: “My exploration through my art of the relationship between myself and nature has been a clear result of my having been torn from my homeland during my adolescence. The making of my silueta in nature keeps (make) the transition between my homeland and my new home. It is a way of reclaiming my roots and becoming one with nature. Although the culture in which I live is part of me, my roots and cultural identity are a result of my Cuban heritage.”


